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The Civil Wars & the Future of Music

It seems everywhere you look these days there’s a reason to lose hope. One day the economy is improving, the next day it’s spiraling downward. From bookseller giants to the post office, many are cutting back or doing less. And the music industry is no exception.

On the heels of what was a sluggish year in music sales worldwide, it's exciting to see a duo that met a couple years ago at songwriting camp rising to the top.

Last June I had the honor of speaking with the Civil Wars (comprised of Joy Williams and John Paul White) for the inaugural issue of Variance. Eight months later, everyone from USA Today to Vanity Fair is raving about the Civil Wars. One publication called them "the best of what's next." Adding them to her iTunes playlist, Taylor Swift said, "I think this is my favorite duet." And earlier this month, Jay Leno welcomed the pair to the Tonight Show for a bone-chilling debut performance that sent Twitter abuzz.

As Williams and White prepare to light up the Sundance Festival this weekend, I can't help but think of how inspiring a story these two have become. In an industry marked recently by a stream of bad news and increasing obstacles for "do-it-yourself" musicians, the Civil Wars are a breath of fresh air.

From the beginning, they have functioned outside of the box. Having previously fostered solo careers, they know how the industry works (or how it used to work). White admitted, "we’re trying to approach this differently—not being afraid to take chances."

Instead of going the traditional routes, they recorded a live EP (of their second performance ever) at Eddie's Attic in Nashville and gave it away for free online. They made a connection that resulted in having their music on ABC's Grey's Anatomy. They quietly built up a devoted fan base through unconventional means. And by the time their debut--that's right, their first--album drops on Tuesday, February 1, thousands of fans will be eagerly waiting to click "buy" or open up their vinyl record of Barton Hollow.

Yes, the Civil Wars are a melting pot of music styles and brilliantly-blended vocals that send chills down your spine. And yes, they embody everything great about the spirit of Nashville and the power of the American dream. But in my opinion, Joy Williams and John Paul White are even greater examples of something truly rare among their peers--a great work ethic and a commitment to doing the right thing.

"You don’t make relationships so you can ingratiate yourself to get something," said Williams. "But if you treat people right, you never know what can happen."

Speaking with the duo last summer, those words stood out to me. And less than a year later, it's evident those words--those values--are the cornerstone of the Civil Wars' career.

As the music industry struggles to figure out what comes next, music sales won't sustain careers. If you're not performing live (over and over again), building genuine relationships, and working hard for yourself, it's going to be tough. But if you need any amount of inspiration, look to the Civil Wars. And keep your eye on them this year, because they--along with others, of course--are the future. And the future looks very bright.

Make sure to get the debut album "Barton Hallow" Tuesday and check out our original interview with the Civil Wars.

October Issue Goes Live

The October issue of Variance Magazine is now live!

The latest edition includes the Goo Goo Dolls, Spill Canvas, Matthew Mayfield, Memphis May Fire, Underoath, and so much more!

Due to the release of Variance today, there will be no MashUp for the week ending October 1, 2010.

Check out Variance now!

Goo Goo Dolls Talk Big Dreams

Formed during a time when American youth were adamantly rejecting everything about pop culture, the Goo Goo Dolls started with hopes of killing time and perhaps getting a few free beers. Having 13 Top 10 singles—something they later achieved—was nowhere in sight.

For many, this is how they see the Goo Goo Dolls: top ten singles, global tours, 10 million albums sold, and a lengthy career. But as front man Johnny Rzeznik points out, “you have to look at the facts.”

“We had been working for eight years [before ‘Name’ charted],” says Rzeznik in the October issue of Variance Magazine. “We traveled around in a crappy van before we actually hit.”

Nearly 25 years later, the Goo Goo Dolls are still just "regular" people. “We still take the trash out on Wednesday nights. We try to have as normal lives as possible. And I think that’s one of the things that’s held us together."

Perhaps that’s the reason many fans relate to the band. And it’s also one of the elements behind the new album.

“I think the Rest of Us is the most of us,” Rzeznik declares of their latest project,Something for the Rest of Us. “I think a lot of people are left out of the equation today. And we wanted to give them a voice. We're living in a tough time.”

In the latest issue of Variance, Rzeznik shares some heartfelt advice for other musicians who may be following in his footsteps, as well as the "biggest mistake" he ever made and his thoughts on the YouTube generation and changes in the music industry.

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